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The two singles released so far by Ashnymph are hard to categorise: their personal label of their work as “subconscioussion” provides few hints. Their initial track Saltspreader blended a heavy mechanical drumming – guitarist Will Wiffen has occasionally been spotted on stage wearing a T-shirt that features the symbol of Godflesh, icons of industrial metal – with retro-style synths and a guitar riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a wall of disquieting noise. Its intended effect, the band has indicated, was to suggest road trips, “the grinding circulation of vehicles around the clock over vast spans … orange lights at night”.

The next release, Mr Invisible, sits somewhere between nightclub tunes and experimental rock. On one hand, the track’s rhythm, layers of hypnotic electronics, and singing that comes either psychedelically smeared or spellbindingly cyclical in a way that brings back the classic Underworld album era all indicate the club floor. On the other, its powerful concert-like energy, brink-of-disorder feel and fuzz – “achieving a crunchy texture is a personal mission,” Wiffen noted – mark it out as very much the work of a band rather than a solitary home producer. They've performed around the self-made music community of south London for under a year, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – from one another and other current music – to prompt questions about the band's future direction. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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